So I got my travel grant, which was a relief (thank you Indigenous Screen Office). But two other funding applications I had in were turned down. So one was for a tv show, but the ISO and broadcasters didn’t want it, so I am taking a break and looking for a television producer who is up for hearing my pitch so I can approach other broadcasters with an actual producer. The other project that got turned down was my trans climate migrant project, in fact Canada Council now gives you your score so I got this insultingly low score. It was a bummer. I kind of had a spiral and I admit I suspect there’s a certain amount of transphobia at work in these funding decisions. But also I do wonder how much of this is related to that bullying campaign Jas Morgan and others did on me last year. Which is a shitty thing to think. I just think the ideas I have right now are really good so it’s disappointing to not get support for them.
Anyway I am available for gigs like editing videos, script consultation, acting, directing, artist talks, writing essays and other things, etc. So if you have a gig for me let me know!
I did get funding for the trans climate migrant video with the University of Toronto’s Queer/Trans Artist In Residence position at the Mark S. Bonham Centre for Sexual Diversity. So that project is changing to one I can finish in a year, without the music and dancing stuff. A more straightforward experimental documentary. I still have the people I am interviewing that are just waiting, so I’ve started scheduling interviews this month. I also have two research assistants, so I am reading the links they sent me about the particular climate disasters my participants were dealing with. It will become a thing but not as extensive a project as it was originally conceived. But it will still be a good and important project.
Anyway I’m basically going to be cobbling my income out of gigs and this residency and then next May I need to find some more ongoing income. But maybe my name will get out there enough that I can get more regular gigs again and make a living that way. I also still have a chance to get production funding for a big film next year so we’ll see how that goes.
Lisbon was super fun! Queer Lisboa was a great festival, they were feeding me with food from the concession downstairs and took me out for dinner one night where I had this amazing mushroom and chicken Vol-Au-Vent. A kind of chicken pot pie puff pastry. SO GOOD. I made it to Capela dos Ossos, the chapel of bones. It was incredible. I don’t even remember where I heard about that place, but it was fascinating. You can find pics on my Instagram (@piedaddytheo)
I did a couple touristy things like the beach and also a tuk tuk tour of Alfama where I was staying. I got a tuk tuk driver who knew I was Native and said “I love your people!” People did ask me where I was from and immediately got friendly when I said Toronto Canada. I’m sure it is received better because I’m not American. I’m sorry America! You have some work to do right now. But the touristy things and the film festival were great, and I was there for six days (with also a travel day either side of those) and it was pretty good, not too long. By the time I wanted to come home I was getting on the plane. There’s still some things I would like to see in Lisbon if I ever go back. My Apple Health says I was climbing 30 flights of stairs a day. That place is so hilly! I don’t think my Mom could ever go. Evora (where Capela dos Ossos is) was more flat and maybe she could do that.
OH YEAH and also my screening went well, I heard some weeping in the audience at the end which was positive for me to know it’s making an impact. I know it’s an important film but I also think it’s going to be one of those films where in 20 years it will get more play because people will recognize it’s important. Hopefully I am still alive when that happens. Also a trans woman came up to me after the screening to tell me it’s good I leaned into the trans joy, because the joy of transitioning is what gives us strength to deal with the shit we get for being trans.
It’s true, transitioning was the best thing I ever did. It opened me up to so much. And the only shitty part has been how cis people react. It’s strange that people think they should be able to have control over someone else’s life that doesn’t impact them at all. Me stuffing a packer in my pants is not oppressing some Christian or spitting in the face of God. It’s ridiculous.
I’m excited to be back in Canada though, all my favourite food is here, and I can go back to finding gigs to make a living. I am a good video editor! And script consultant. And writer (although I admit I work best with an editor because my grammar isn’t 100% up to snuff). Anyway we’ll see how it goes getting back to hustling for jobs.
I am disappointed but I’m still going to make my art no matter what people say about it or if they do or don’t screen it. There are a lot of cowards in this world right now. I made a post on Bluesky where I said the cowardice of American curators and programmers who won’t screen my transition video speaks to why that country is losing it’s democracy. If you can’t stand up for trans people, you can’t stand up for democracy. It’s disappointing to see how many cultural institutions down there just folded and went along to get along. I’m not very hopeful about that changing right now. But there are other places that do want to hear my voice, so I am pivoting to them. Unfortunately there’s not a lot of funding opportunities here right now to support my work. I’ve been turned down from Canada Council for the last two travel grants I sent in and a research creation grant AND this composite grant. And it’s just so much work to write a grant, and you don’t get paid for that work either.
Also Queer Lisboa was more pro-Palestinian and anti-genocide, which is interesting because so was EMAF and I think the connection between pro-Palestine festivals and pro-trans festivals is interesting. Sticking up for the underdogs/oppressed. I appreciate that there is a solidarity between the two movements of resisting colonization and supporting marginalized people. We’re all just trying to live here on this poor planet. I think resisting transphobia is also part of resisting colonization. The binary model of sex is a colonial concept, it’s not Indigenous at all. Forcing Indigenous trans people to detransition to make cis people happy is just another page of colonization and it should be resisted.
Anyway I think the saddest part of being turned down for funding and other screenings is that I know why trans representation is important right now. People think they don’t know trans people, but if they see us in a film they do get to know us. They can’t see us as 2 dimensional people anymore. It goes a long way to dismantling people’s transphobia. And that’s really important and necessary right now, and I’ve worked SO HARD to get my skills and accept myself and become, but I can only go so far if I don’t have financial support or screenings. It took me 44 years to accept myself for who I am, I’m not sure how many years it will take before people catch up and give me money for my stories again.
I guess thank god for U of T.